The Household Guide to Dying
Contents
Title Page
Copyright Page
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Acknowledgements
Sources and References
Debra Adelaide is the author of two novels, The Hotel Albatross and Serpent Dust, and the editor of four themed collections of fiction and memoirs, the latest of which is Acts of Dog. She has worked as a researcher, editor and book reviewer, and has a PhD from the University of Sydney. She is now a senior lecturer in creative writing at the University of Technology, Sydney.
Also by Debra Adelaide
Novels
The Hotel Albatross (1995)
Serpent Dust (1998)
Anthologies
Motherlove (1996)
Motherlove 2 (1997)
Cutting the Cord (1998)
Acts of Dog (2003)
Non-Fiction
A Bright and Fiery Troop (ed) (1988)
Australian Women Writers: a bibliographical guide (1988)
A Window in the Dark (ed) (1991)
Bibliography of Australian Women’s Literature (1991)
a novel by
DEBRA ADELAIDE
First published 2008 in Picador by Pan Macmillan Australia Pty Limited
1 Market Street, Sydney
Copyright © Debra Adelaide 2008
The moral right of the author has been asserted.
All rights reserved. No part of this book may be reproduced or transmitted by any person or entity (including Google, Amazon or similar organisations), in any form or by any means, electronic or mechanical, including photocopying, recording, scanning or by any information storage and retrieval system, without prior permission in writing from the publisher.
National Library of Australia
Cataloguing-in-Publication data:
Adelaide, Debra, 1958–
The household guide to dying/author, Debra Adelaide.
Sydney: Pan Macmillan, 2008.
ISBN 9780330424257 (pbk.)
Cancer – Patients – Fiction.
Terminally ill – Fiction
A823.3
This story is entirely fictional and no character described in this book is based upon or bears any resemblance to any real person, whether living or deceased, and any similarity is purely coincidental.
Every endevour has been made to contact copyright holders to obtain the necessary permission for use of copyright material for this book. Any person who may have been inadvertently overlooked should contact the publisher.
Typeset in 12/16 pt Granjon Roman by Post Pre-press Group
Printed in Australia by McPherson’s Printing Group
Papers used by Pan Macmillan Australia Pty Ltd are natural, recyclable products made from wood grown in sustainable forests. The manufacturing processes conform to the environmental regulations of the country of origin.
Author photograph: Philip Klaunzer
These electronic editions published in 2009 by Pan Macmillan Australia Pty Ltd
1 Market Street, Sydney 2000
The moral right of the author has been asserted.
All rights reserved. This publication (or any part of it) may not be reproduced or transmitted, copied, stored, distributed or otherwise made available by any person or entity (including Google, Amazon or similar organisations), in any form (electronic, digital, optical, mechanical) or by any means (photocopying, recording, scanning or otherwise) without prior written permission from the publisher.
The Household Guide to Dying
Debra Adelaide
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Dedicated with love to the memory of
Adam Wilton and Alison McCallum
Death, you’re more successful than America,
even if we don’t choose to join you, we do.
John Forbes ‘Death, an Ode’
1
The first thing I did this morning was visit the chickens. Archie had already given them the kitchen scraps, so I leaned over the fence and scattered handfuls of layer pellets. As always, they fussed and squabbled as if they’d never been fed before and never would be again. Then I opened the gate and went to the laying boxes, where they crowded into one corner, although there was plenty of room. There were three clean eggs: two brown, one white. Not so long ago I could tell which chicken had laid which egg. Now sometimes I couldn’t even remember their names. I picked the eggs up carefully. One was still warm. Touch is extraordinary, how it triggers memory, and so then I did remember that the tea-coloured ones were from the brown chickens, and the smaller white one was Jane’s. I held it to my cheek for a moment, savouring its warmth, its wholesomeness. I wondered if this was something that poets would ever write about, because it was an experience I treasured. The comforting shape, the startling freshness. The idea that this egg, white and perfect in the palm of my hand, was a potential new life, requiring of the world nothing but warmth.
Ripeness is all. That was something a poet once said. Eliot, I think. Or Shakespeare. Perhaps both – it’s hard to remember now.
With the eggs in my pocket I made my way back up the garden. Inside the house, the phone was ringing again, but I didn’t bother rushing to answer it. It stopped after five rings. It had been doing that a bit lately.
The air was rinsed clean from the rain earlier. I could hear the clipping of hand shears. That would be Mr Lambert next door at work maintaining his lawn; Mr Lambert for whom a heavy dew, rain, or even a snowfall – if such a thing were possible here in the temperate suburbs – never inhibited his devotion to the task. As if in his latter years, all his focus could only be directed down. I realise
d Mr Lambert had avoided my eye for years. I wondered if he thought about returning to the earth, now that retirement had gripped him and even his grandchildren no longer visited. Or was that just me, thinking about my own future?
Did I say future? I really wish there was the right word for all this, because irony doesn’t come close, is completely inadequate. For a start, I discovered that Eliot was right about the cruellest month – except for me it wasn’t April, but October. Spring was mocking me with its glorious signals that summer was on the way. The wisteria outside my window making the most splendid mess of the verandah. The driveway littered with papery blossoms. My car confettied with them. If I’d been driving this morning it would have been annoying, but instead I was free to admire the way the flowers had been tossed across the windscreen. The shabby old car was as radiant as a bride. And now the sun was out and the wind was warm, I could smell the wisteria. Or perhaps it was the jasmine, which was along the front fence, just out of sight. My sense of smell was becoming muffled.
What is it about mauve and purple flowers? I remembered now that Mr Eliot (my high-school English teacher always referred to him with respect) also had a thing about them – lilacs and hyacinths – but for me it was wisteria, and now irises. Archie planted irises in an old concrete laundry tub he’d turned into a pond, and each year they were more crowded and abundant. I’d been watching them over the past week or two. Their great long spears. The subtle swell of the buds on the stems. On the way back from the chicken shed, I noticed that the first one was out. It was bent over – perhaps the rain earlier was stronger than I thought – but the bloom was unharmed. I cut it and placed it in a vase on the kitchen bench. It was beautiful in a frankly genital way. Dark purple with a lick of yellow up each petal. And no scent at all. I think the scent of lilacs would make me retch now.
I’d always thought that this soft margin between winter and summer could never be cruel. But here, although the hemisphere is inverted, I was as bitten by cruelty as the poet was. Spring is the time of hope. Of inspiring songs and rousing actions. Of possibility, of anticipation, of plans. People emerge from winter after tolerating autumn’s capricious start to the season, and know that if spring has arrived then summer isn’t far away. Every spring our local community has a picnic in the park nearby. Children have outdoor birthday parties. Spring is the time of action, of cleaning, of revolution.
Revolution. I thought a lot about the precise meaning of words now. And their sounds. Revolution is like the word revulsion. Disgust. Rejection. This morning I hadn’t yet faced breakfast, which would only be half a slice of toast, no butter (there was no question of eating one of those eggs in my pocket). The poets were right about one thing, ripeness is all, but I’d like to tell Mr T.S. Eliot that his spring represented an insipid kind of cruelty compared to mine. A laughable cruelty. It didn’t get more cruel than this: the season of expectation, of hope, of growth; the season of the future, when there was none at all. It was spring when I’d had the first operation, giving me just long enough to recover by the end of the year and face my Christmas responsibilities, instead of languishing in bed as I’d have liked. Spring again when I discovered the operation hadn’t arrested the cancer. Further removal of body parts and intensive chemical treatment represented a Scylla and Charybdis between which I was pounded for another six months or so. Really, I would have preferred to row backwards, but Archie begged me to keep trying, my mother persuaded me, the fact of our two young daughters reproached me, and so I pushed on. And up until the last operation, when my body was sliced, sawn and prised open (the head this time), I still retained a scrap of hope.
But now the cruellest season had arrived again with an unmistakable finality. At least Mr Eliot had his dry stones and handful of dust to look forward to.
2
Dear Delia,
Can you settle an argument I am having with my friend (we play golf together)? She says you should only do your grocery shopping with a list. That I waste time and spend more money without one. I always take my time and think about it, and it’s true I sometimes come home and forget that I needed light bulbs or rice flour. But then so does she.
Unsure
PS We are both sixty-five years old.
Dear Unsure,
I’m sure that the incomparable Mrs Isabella Beeton would have maintained that the efficient housewife never undertakes her grocery shopping without a list. It is said that impulse buying is curbed by taking a list. That a list prevents the unscrupulous vendor forcing unwanted goods on the customer. However, life is short. There’s a lot to be said for spontaneity. You might occasionally forget the light bulbs but I bet you buy those dark chocolate Tim Tams when they’re on special, or extra tins of salmon when you already have stacks in the pantry. I bet your list-carrying friend does too.
PS Mrs Beeton was only twenty-eight when she died. Your friend might want to think about that next time she’s writing her list.
Home Economics was promoted to a science some time in the 1970s. I never took the subject myself, already being domestically taught by my mother and grandmother. Both believed in the deep-end school of home training. And so my grandmother, who cared for me when I was a preschooler, simply pointed me in the right direction and I started to scrub, soak, mop and sweep along with her. When I was a bit older, my mother, Jean, whose specialty was the kitchen, took over. I had to whip, fold and poach (later stir-fry) with barely a lesson. Their theory was that I’d simply pick it all up, that as a female I would learn all this by osmosis. A ludicrous idea, one might think, but there must have been something in the osmosis theory, for I learned without blinking. I understood sewing, cooking, cleaning and knitting. By the time I reached high school and was forced to take a term of cookery, I realised there was nothing more to discover. Learning a subject like domestic science seemed as elementary as learning how to catch a bus or post a letter. Didn’t everyone just do these things? And by then I liked movies, books and music and couldn’t see much scope for that down in Mrs Lord’s austere kitchens or Miss Grover’s sewing class.
Thirty years later, it was different. We women of the early twenty-first century knew we were poised somewhere between domestic freedom and servitude. The home was ripe for reinvention. Even the theorists were claiming it. Angels were out, they’d been expelled years back. Now you could be a goddess, a beautiful producer of lavish meals in magnificent kitchen temples. Or a domestic whore, audaciously serving store-bought risottos and oversized oysters and leaving the cleaning to others. Goddess or whore, both were acceptable.
For Isabella Beeton, on the other hand, home management was a matter of martial discipline and political strategy, with the mistress of the house both the commander of an army and leader of an enterprise. By the early twentieth century, housework was a matter of economics. The housewife was the linchpin of an autonomous economic unit. Then it became a science, and all that occurred within the home was accountable to clear logic and linear process. Making a batch of cupcakes was the same as distilling a chemical formula. Children given the right quantities of affection and punishment could be raised as successfully as a batch of scones at exactly 170 degrees centigrade for fifteen minutes. Not that domestic science meant a woman was a domestic scientist. That could never be entered on forms under Occupation.
Finally the home became a site. Housework, like everything else from surfing to jelly wrestling, has now been hijacked by theory. Whatever the present name for the subject is in the secondary school system, I bet it doesn’t include the word home. No doubt there are numerous research projects and dissertations underway right now on the house as locus, the discourses of vacuuming and the multimodality of the food processor.
Though perhaps not. It is women’s work, after all.
One morning, I was contemplating a list which I’d retrieved from the kitchen bench. I was still in bed, the same bed in which I had cavorted with my husband for the last dozen or so years and had the most tender and exciting sex of my life, though
, I now realised, not nearly enough of it; conceived two children and borne one of them (the other came close, but stubbornly exerted her right to enter the world via hospital intervention); read innumerable books, many of them excellent, a lot of them trashy but wonderfully so; drunk countless cups of tea every Sunday morning while skimming the tabloid papers with an equal mix of cynicism and delight; and made notes on all sorts of things, including writing lists.
Lists were not essential to my life. Nothing would change now if I never wrote another and I suspected that without them I might still have got things done. But this particular morning’s list was not for me, and I’d written it late the night before.
Put on washing
Feed scraps to chickens
Feed fish/mice (pond & tank)
Get girls up
Make lunches (not peanut butter for E)
Feed girls (don’t let D have Milo on cereal again)
Remind E re homework sheet
Check D has reader, library bag
Hang out washing
Empty/fill dishwasher
Girls to school half hr early (choir practice)
And also:
Have shower (if poss!)
Make coffee, drink while hot (ha!)
I had only been writing this sort of list for the last year or so, since it became clear that certain tasks would need to be delegated. Until things were sorted out. That was the term we adopted to describe the future that yawned like crocodile jaws, deep and daunting. Compiling it was hard because it represented things I had been doing intuitively for years. What to put in and leave out? I’d placed it strategically under the pepper grinder late in the night. When the girls came in to kiss me goodbye the next morning, I was too groggy to tell if their hair was properly tied up, teeth cleaned. I murmured goodbye and raised my head to brush their cheeks with my lips. When I woke later there was a feather on the sheet, a dark brown one. I presumed they didn’t take their chickens to school.